Coral Throne — Living Furniture Installation in a Brutalist Museum Wing

MODEL: FEMALE. Use exactly one female model reference for this image. A monumental armchair grown entirely from branching pink, peach, and bone-white staghorn coral occupies the center of a raw-concrete brutalist museum gallery. The coral structure is alive: translucent polyps are slightly extended along the armrests, and thin veins of bioluminescent turquoise glow faintly inside the seat's deeper crevices. Tiny tide pools have formed in the seat cushion depression, containing miniature sea anemones in salmon and lavender. The chair legs transition from rough coral into polished terrazzo floor seamlessly, as if the furniture is growing out of the building itself. The gallery has twelve-meter ceilings of board-formed concrete with circular skylights casting soft, even, overcast daylight. The back wall is a single slab of honed travertine with a discreet museum placard in Helvetica Neue reading only a title and year. The floor is pale grey micro-terrazzo with brass expansion joints. The male reference model stands behind the chair; the female reference model sits in it. Both are styled in quiet luxury, muted earth tones, zero logos. Their clothing has visible fabric weight and drape — linen creases, wool nap, suede texture. Skin is photographically real: visible pores on the nose, subtle under-eye translucency, natural lip moisture, individual eyebrow hairs. Camera: Sony A7R V with 35mm f/1.4 GM at f/4, subject distance 2.8 meters. Depth of field keeps one model and the chair sharp, background softens gently. Lighting: diffused overhead daylight from skylights supplemented by a single rectangular museum LED panel at 4200K camera-left creating a soft directional fill. Shadows are open, never crushed. Highlight roll-off is filmic, not digital. Color grade: desaturated w