Vertical photorealistic photograph in the aesthetic of warm film macro photography, without text or watermarks. Extremely

Vertical photorealistic photograph in the aesthetic of warm film macro photography, without text or watermarks. Extremely close-up framing: only the eyes of two people are visible; the faces are not readable or recognizable — the frame contains only the eye area, part of the bridge of the nose, and fragments of the forehead/cheeks, with everything else cropped out. Use the input photos strictly only as identity references; do not change the eye color.
Scene and composition: two eyes are positioned diagonally, as if the people are lying next to each other and looking in different directions; one eye is closer to the upper right corner, the other closer to the lower left corner. Very tight cropping, creating an intimate close-up feeling. A slight tilt of the frame so that the eyebrow and eyelid lines form a diagonal composition. Both eyes are looking directly into the camera.
Eye appearance: natural eyelashes, soft shadows from the eyelids, clear highlights reflected in the pupils. Eyebrows look natural, with individual hairs visible.
Lighting and color: warm, soft side lighting, smooth tonal transitions, no harsh highlights. Film-style color grading: warm beige and caramel midtones, slightly muted colors, soft contrast.
Texture and style: pronounced film grain across the entire frame, subtle vignette, barely visible dust particles/scan dots, soft sharpness without excessive digital over-sharpening. Fine details (eyelashes, eyebrows, reflections in the eyes) are in focus, while other areas can be slightly softer.
Technical: the feeling of macro/extremely close photography, 50–85mm lens look (or macro lens), shallow depth of field, focus strictly on the irises.
High realism, no additional objects, no logos.