Editorial Album Cover — Cybernetic Musician Tuning an Ancient Oud Under Stage Haze

MODEL: FEMALE. Use exactly one female model reference for this image. A moody, large-format editorial photograph for an album cover. The primary subject — a male musician in his late 20s — sits slightly off-center-right on a faded crimson velvet Louis XV theater chair placed on a bare oak stage. He cradles a 19th-century Syrian oud whose resonance hole rosette has been replaced by a softly glowing cyan bio-circuit lattice; thin fiber-optic filaments run from the oud's tuning pegs into a brushed-titanium port embedded in the musician's left forearm, visible where his rolled-up sleeve of a rumpled raw-linen collarless shirt exposes the implant. His right hand turns a bone tuning peg with precise, relaxed fingers — four fingers and one thumb clearly articulated, natural skin creases visible. His expression is focused and inward, mouth slightly parted, eyes downcast toward the instrument's neck. Cybernetic details: a thin dermal seam traces from behind his left ear down to the collarbone, with two micro-LED status dots (amber and cool white) near the clavicle. The forearm port has three recessed hex bolts and a hairline seam — machined, not organic. No other body modifications. Wardrobe: the raw-linen collarless shirt is untucked over straight-leg black wool trousers with a single front pleat; bare feet on the oak stage, natural toe anatomy. A thin oxidized-silver ring on the right index finger. Background and staging: a deep theater void behind, with a single 5K tungsten Fresnel overhead creating a hard-edged elliptical pool of warm light that catches dust motes and thin atmospheric haze from a stage hazer. The light falls primarily on the musician's hands, the oud's face, and the right side of his face, leaving the left in a rich three-quarter shadow. Stage-left, rough